I thought that I might start taking my time and make a proper effort with the blog. Perhaps re-organise and give all posts a structure and may be even rename – take out the ‘Music’ from the title as it’s as much about books (and children’s in particular) as is it about Music.
As I’ve stated elsewhere, I’m late to the joyous party that is the writings of Terry Pratchett. I’ve just completed reading his third Tiffany Aching novel and he has leapt into the distinguished company that is my favourite authors. Notably, he is the first male author I have included. He sits with Rosemary Sutcliff, Philipa Pearce, Joan Aiken and Ursula K Le Guin (as I said – ‘distinguished company‘).
Like Le Guin, Pratchett is able to stage epic battles that are fought and won without bloodshed or with very little bloodshed (the way that Tiffany Aching deals with the Wintersmith is a fine example) and he writes about the finiteness of human existence with rare beauty and a certain kind of poetry (the passing of Granny Weatherwax in “The Shepherd’s Crown” is beyond simply moving). And he loves people but hates injustice, that is crystal clear.
Tiffany Aching is a heroine very much in the mould of Joan Aiken’s Dido Twite though far more introspective with her first, second and third thoughts to guide how she acts and reacts. As a Pratchett witch, she constantly puts the welfare of others before her own and strives to learn from each action she takes, often putting aside a response until she has considered alternatives . My kind of protagonist!
Of course, TP spins the narrative with many puns asides and much social commentary. I love the way has footnotes augment the main text.- my particular favourite is *’Werk’… (page 340 of my edition). He has the uncommon ability to create characters that are engaging and complex and this is true equally of ‘good’ and ‘bad’.
I’m continually struck by the cinematic and visual quality of Pratchett’s storytelling. He must have imagined these novels as moving pictures, surely!
I have two more Tiffany Aching novels to read – the second and the fourth and then it’s back to the main Discworld novels for me!
But first… I shall treat myself to a reread of “Wee free Men” and “Wintersmith”… you can’t have too much of a good thing.
One of my favourite guitarists is Andy Summers and I’ve recently been working on improving my playing of his Police era style ‘guitaring’ to add texture to my Earth Balm re-recording and new track work. I admire the palm muting, chord voicing, tone, effects use and the philosophy of ‘less is more’ in the work. I might even invest in some Mooer effects pedals to model his sound (no, he doesn’t use or endorse them but they are a cost effective way to get his trademark sound). The Elec Lady (now I believe called the E Lady) is particularly good.
Thanks to calmgrove, I’m seriously considering a series of pictures (and perhaps music) inspired by the writings of Ursula K Le Guin. I thought I might share some of the notes I’ve been taking from “A Wizard of Earthsea“. Apologies for the untidiness, handwriting never was my forte.
I’m going to be taking a break for a short while to say goodbye to my father, spend quality time with my family, wind up my teaching job and work on my guitar playing / performing. Take care everybody, see you soon.
I didn’t take a lot of photos at last night’s Tony McManus gig – it always seems a shame to spoil other people’s enjoyment by setting off a flash and the internet is populated with thousands (if not more) of pictures of gigs. It’s a wonder that any artist can make a living when there are so many photographs and videos available. I did ask Tony and the concert organisers permission before I snapped away.
The photographs are:
Tony’s set up before the concert started (It was great to get close enough to see the signature PRS).
The inside of the venue (beautiful chapel, well maintained).
Tony signing my copy of “Mysterious Boundaries” in the interval (Bought three CDs and had three in mind).
Tony tuning up before the second set began (I just took this to have a picture of Tony with an instrument in his hands).
A brilliant night, I can’t believe there was an audience of just 49 (I counted them), has nobody in south Wales heard of this VERY talented man?