I’m currently knee deep in supply teaching work and trying to work on the Earth Balm Music material, learning much about the limitless possibilities of music software and my limited abilities on the piano keyboard on the way. I have a day’s break today and just as well because I feel compelled to post about the passing of the great Ursula K Le Guin. The news has finally made up my mind for me – she is my favourite author of all that I have read (and she is in some high calibre company with Rosemary Sutcliff, Joan Aiken, Susan Cooper, Philippa Pearce etc.). Her characters are so well developed, her books explore ideas about social systems and politics so subtly and she handles big plot moments so delicately. I’m about to radically thin out my book collection and I’m keeping all of my UKLG books as I know I’ll only regret losing them if I pass them on. Please, let her be known as more than just a science fiction / fantasy author because she was so much more.
Here is a quote from Ursula’s Wikipedia page:
Le Guin exploits the creative flexibility of the science fiction and fantasy genres to undertake thorough explorations of dimensions of both social and psychological identity and of broader cultural and social structures. In doing so, she draws on sociology, anthropology, and psychology leading some critics to categorize her work as soft science fiction. She objected to this classification of her writing, arguing the term is divisive and implies a narrow view of what constitutes valid science fiction. Underlying ideas of anarchism and environmentalism also make repeated appearances throughout Le Guin’s work
I keep meaning to start writing proper reviews of books. I was going to begin with Terry Pratchett’s “The Last Hero” hardback ‘picture book’ which I managed to get for £2.99 in Swansea’s Oxfam. The many and rather magnificent illustrations seemed to have a profound effect on TP’s prose (or perhaps my way of reading was altered by the format) and I took a while to adjust to the experience. After adjusting, the book really was a riot and the illustrations really did enhance the reading experience. Before I could write a review, I began reading “Thief of Time” and that novel is proving so enjoyable that I haven’t had the inclination to write the review. Still, all in good time eh?
I began writing an Earth Balm arrangement of “She Moved Through the Fair” recently but abandoned it and have instead completed a solo guitar arrangement in the altered Csus2 tuning. It’s not the best tuning for a Mixolydian melody but I was able to use some of the ideas in my arrangement of “Lisa Lân” to accommodate the flattened seventh.
I thought that I might start taking my time and make a proper effort with the blog. Perhaps re-organise and give all posts a structure and may be even rename – take out the ‘Music’ from the title as it’s as much about books (and children’s in particular) as is it about Music.
As I’ve stated elsewhere, I’m late to the joyous party that is the writings of Terry Pratchett. I’ve just completed reading his third Tiffany Aching novel and he has leapt into the distinguished company that is my favourite authors. Notably, he is the first male author I have included. He sits with Rosemary Sutcliff, Philipa Pearce, Joan Aiken and Ursula K Le Guin (as I said – ‘distinguished company‘).
Like Le Guin, Pratchett is able to stage epic battles that are fought and won without bloodshed or with very little bloodshed (the way that Tiffany Aching deals with the Wintersmith is a fine example) and he writes about the finiteness of human existence with rare beauty and a certain kind of poetry (the passing of Granny Weatherwax in “The Shepherd’s Crown” is beyond simply moving). And he loves people but hates injustice, that is crystal clear.
Tiffany Aching is a heroine very much in the mould of Joan Aiken’s Dido Twite though far more introspective with her first, second and third thoughts to guide how she acts and reacts. As a Pratchett witch, she constantly puts the welfare of others before her own and strives to learn from each action she takes, often putting aside a response until she has considered alternatives . My kind of protagonist!
Of course, TP spins the narrative with many puns asides and much social commentary. I love the way has footnotes augment the main text.- my particular favourite is *’Werk’… (page 340 of my edition). He has the uncommon ability to create characters that are engaging and complex and this is true equally of ‘good’ and ‘bad’.
I’m continually struck by the cinematic and visual quality of Pratchett’s storytelling. He must have imagined these novels as moving pictures, surely!
I have two more Tiffany Aching novels to read – the second and the fourth and then it’s back to the main Discworld novels for me!
But first… I shall treat myself to a reread of “Wee free Men” and “Wintersmith”… you can’t have too much of a good thing.
Having finished reading Ray Bradbury’s “Something Wicked This Way Comes”, I’ve just begun his anthology “Summer Morning, Summer Night”. This set of stories contains one of the most beautiful stories I’ve ever had the good fortune to read – “All On A Summer’s Night“. It seems quite autobiographical in nature when set against the interviews with Ray Bradbury that I’ve watched and read recently. Young Douglas Spaulding , who lives at his grandmother’s house with a varied set of boarders, makes a touching gesture to local librarian (and also another boarder) Miss Eleanora Welkes who mistakes the gesture for a romantic one from one of the male boarders. Everything about the story is delightful.